Milk Wood Emerges

This Dylan Thomas fellow… we know him mostly for a villanelle he wrote exhorting his father “Do not go gentle into that good night.” We know he’s Welsh, if we think about it, because we likely read in school his Child’s Christmas in Wales.

Entering our sixth season, Caffeine finds ourselves with two poets whom even the scholars call by their first names, as if of friends—one famously pounding whiskey at the White Horse Tavern, one infamously garreted away in her quiet Amherst home—Dylan and Emily, two poets more than half in love with death. (And when you add on the work-in-progress Ode to Akhmatova begun at University of Chicago’s Summer, Inc residency, there’s a third singer of mortality in the mix.) So perhaps the most amazing thing about the work of these poets is the great joy they find in life, and the big-hearted humor in these plays.

This week Thomas’ Under Milk Wood takes shape in the Storefront Theater.

When Thomas was writing the play, the world was still reeling from the bombing of Hiroshima. Some believe the poet gave us his little village of Llareggub to reveal the resilie nce of small daily beauty.

Dedicated to beauty and to the play, our cast and design team make a Llareggub in Chicago.